JOAN MIRO "QUELQUES FLEURS #31: SLEZ & TAILLANDIER", 1964 Sorel Etrog Primitive Woman Caviar20 Beginning in the late 60's Beginning in the late 60's Rivers embraced printmaking enhancing it with stencilling Untitled ("Black Push") Miró’s works began receiving international attention in the 1920’s and he was active working internationally in an array of media until the time of his death in 1983 contacted Miró to create a piece for the 1964 exhibition
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JOAN MIRO "QUELQUES FLEURS #31: SLEZ & TAILLANDIER", 1964 Sorel Etrog Primitive Woman Caviar20 Beginning in the late 60's